The new action hero: Canon Inc. announces development of the EOS-1D X Mark III
United Kingdom, Republic of Ireland, 24 October 2019 – Canon Inc. today announces the development of the highly anticipated EOS-1D X Mark III – the successor to the world-renowned EOS-1D X Mark II. Perfect for sports and wildlife, the flagship DSLR is being developed using feedback from the worldwide community of EOS-1D X and EOS-1D X Mark II photographers, including extensive real-world testing with professional photographers globally. Boasting Canon’s rich heritage creating optically excellent products, the EOS-1D X Mark III offers an impressive step change in autofocus, with dramatically improved image quality, video and communications. Using the camera, professionals have the confidence they will get ‘the shot’ and can deliver it at a competitive speed – faster than ever before – ideal for the increasingly fast-paced industry.
Canon’s DSLRs continue to dominate professional photography. Speed, autofocus and high-speed communications are at the heart of the EOS-1D X Mark III making it ideal for professionals – especially in sports or wildlife – that are under pressure to capture and deliver optically excellent images of action that could be over in a fraction of a second.
Unrivalled: a step change in autofocus
The EOS-1D X Mark III is blisteringly fast – offering exceptional precision, reliability, high-performance autofocus and subject tracking – giving photographers a greater choice when it comes to the perfect shot selection. The camera’s new autofocus algorithm improves stability and tracking – with both optical viewfinder and Live View shooting – using deep learning technology to ensure accurate focus tracking for every shot. When using the optical viewfinder the EOS-1D X Mark III makes use of a new autofocus sensor offering approximately 28x the resolution in the centre of the sensor than the one in the EOS-1D X Mark II – the current go to camera for professional photographers.
Richard Heathcote, Senior Sports Photographer, Major Events, Getty Image said:“The new autofocus algorithm in the EOS-1D X Mark III takes subject tracking to a new level, with an intuitive controller and accurate results. It delivers as you would expect from the ultimate professional sports photography camera.”
Offering expanded AF brightness range with greater precision, the EOS-1D X Mark III has a range of autofocus capabilities enabling photographers to get ‘the shot’. In Live View users can make use of 525 AF areas using the Dual Pixel CMOS AF system covering approximately 90×100 percent of the image sensor. Using the same AF algorithm as when shooting with the optical viewfinder, it ensures enhanced flexibility when framing subjects, whether it’s a race car on a track or a bird in flight. The EOS-1D X Mark III supports significantly faster frame rates with full AF and AE, using either the optical viewfinder (up to approx. 16fps mechanical shutter) or Live View (up to approx. 20fps mechanical or electronic shutter), in addition to this the camera’s CFexpress card slots enable five times the RAW burst depth of its predecessor.
Challenge creativity – capture everything
A clear example of Canon’s commitment to pushing the boundaries of innovative imaging with optically excellent technology, the EOS-1D X Mark III supports an all new, Canon-developed, CMOS sensor and DIGIC processor, delivering greater image quality, at even higher ISOs, with the ability to capture stills in 10bit using the HEIF file format. The power of 4K resolution brings stories to life with the capabilities to shoot cinematically with 4K movies including 4K60p with 10bit Canon Log internal recording. Reducing the amount of equipment needed for professionals on any given project, the EOS-1D X Mark III also shoots in RAW for both movie and stills.
Content delivery, quicker than ever before
For professionals, content delivery is just as important as image capture – the EOS-1D X Mark III makes it easy, featuring built-in Wi-Fi and low-energy Bluetooth in addition to GPS. To keep pace with ever-shortening deadlines, the camera transfers data at twice[i] the speed of the EOS-1D X Mark II when using the built in ethernet, or the new optional wireless file transmitter – the WFT-E9 – which is also compatible with Canon’s recently launched Cinema EOS C500 Mark II camera. Coupled with simpler network set-up, the EOS-1D X Mark III greatly enhances the professional workflow.
An extension of the professional kit bag
Existing EOS-1D series users will be comfortable handling the EOS-1D X Mark III, allowing seamless navigation with trusted ergonomics – whilst the magnesium alloy body offers the durability expected from Canon’s EOS-1 cameras. Professional photographers can expect the same impressive build-quality as the EOS-1D X Mark II – phenomenal weather-sealing allows the camera to stand up to harsh conditions, including wind, rain and humidity. With incredible low-light shooting capabilities, the EOS-1D X Mark III’s illuminated buttons allow for precision operation in challenging, dark and dimly-lit conditions. The camera also offers a new additional control for selecting AF points, built into the AF-ON button, allowing photographers to change AF points on-the-fly for the best composition – further simplifying their work. Dramatically improved battery life – with the same LP-E19 – also allows professionals to shoot for longer periods of time, without having to change batteries, reducing the chance of missing a shot.
Huawei reinforces its claim to the smartphone photography crown with the new P30 Pro
Quadruple cameras: three photo cameras plus a ToF (Time Of Flight) 3D sensing camera
No more mono camera
Radical new SuperSpectrum 40MP camera sensor enables remarkable low light capability
Longer 125mm (5x) telephoto lens thanks to clever folded optics
Mate 20 Pro style 16mm (0.6x) ultra wide-angle lens
Almost 100% 6.5 inch display apart from a ‘tear drop’ style micro-notch for the selfie-camera
On-screen optical fingerprint sensor (don’t worry it’s better than the Mate 20 Pro’s)
No 3D face-sensor (Mate 20 Pro) so face-unlock will be less-efficient and less-secure
Mate 20 Pro style extra-large 4200mAh battery and fast 40W Supercharging
Mate 20 Pro style wireless charging with reverse charge mode
Improving on the already remarkable P20 Pro
A year ago Huawei built on its already established reputation for photography innovation in smartphones with the P20 Pro. This was the first triple-camera smartphone, featuring a 40 megapixel sensor and a mono camera, plus remarkable low-light capabilities. It also brought AI smartness to the fore.
Today, Huawei has unveiled the P30 Pro, and what a successor it is. I’ve had the privilege of being briefed by Huawei in advance, which included hands-on use of pre-production samples, though no images taken with these were allowed to be retained.
A radical new image sensor and a cleverly implemented telephoto camera, plus a fourth ToF camera/sensor, top the list of exciting new features the P30 Pro can boast. Here’s my hands-on preview:
Seeing in the dark and that new sensor
It was widely speculated that Huawei would opt for Sony’s new 38 megapixel Exmor RS IMX607, which features a modified Bayer filter array that incorporates white, as well as red, green and blue (RGB) pixel filters. White (colourless) filters increase light transmission and the effective sensitivity of the sensor.
So imagine our surprise when we were told that the P30 Pro uses a sensor that substitutes all the green filters in the Bayer array for yellow filters. Yellow filters transmit substantially more light than green filters. You could call this a RYB filter.
Huawei says this enables the effective maximum ISO sensitivity rating of the sensor to be raised from ISO 102400 on the P20 Pro and Mate 20 Pro to 409600 ISO, or two stops (EVs) extra sensitivity. That’s four times more sensitivity.
To back up this seemingly outlandish claim Huawei invited us to use pre-production P30 Pros in an almost completely darkened room. Lo and behold, the P30 Pro was able to record discernable images in what appeared to be almost total darkness.
I also tried a Mate 20 Pro at the same time and virtually nothing recorded on the image.
Under those conditions the picture quality wasn’t great but I’d certainly be thankful of being able to take a picture, without the need for flash, in certain circumstances, when a typical camera would be unable to.
I can’t wait to see for myself if the extra sensitivity of the sensor can be harnessed to improve quality in more realistic low light shooting conditions.
You might think that using yellow instead of green Bayer Filter Array pixels would be a recipe for chromatic disaster. While we were unable to bring shots taken with the pre-production sample devices away with us to show you in this preview article, examination of the P30 Pro results in-phone at the time revealed no obvious colour anomalies.
Indeed, top pro photographer and Leica ambassador, Alex Lambrechts, who has used the older P20 Pro extensively, told me the colour and tonal quality he has been seeing in P30 Pro images is discernibly better than the P20 Pro.
We just have to find out if that’s because the P30 Pro’s new 6.47 inch AMOLED display is better, or maybe the camera and the display are both improved. Alex also says the photographic aperture blur/bokeh effects are processed in a more pleasing way.
What is the ToF camera for?
We’ve already seen a ToF camera on Huawei’s sub-brand model, the Honor View20. Samsung followed this example in its Galaxy S10+.
So what is ToF? It stands for Time of Flight – think of it as a kind of radar or sonar using invisible LED or laser light, transmitted in pulses. This light is reflected back and the time it takes to return to the ToF camera sensor can be calculated in real time as a distance between the phone and whatever reflected it back to the phone.
ToF cameras are like digital cameras and they have thousands of sensor photosites and each one can record a distance value, building up a three-dimensional view of what the camera sees. And it can do this in real time.
It’s really accurate and potentially better than existing optical image-reliant measuring apps, like Google Measure. You will be able to use it to measure in one and two dimensions and also three, for volume.
ToF capability will also boost the power of AR (Augmented Reality) where 3D computer-generated animated graphics are blended with a real scene.
The Honor View20 prioritises the use of its ToF camera for gaming; you can model your own body and a game can then sense your body motion for real-time avatar control.
I understand that on the P30 Pro the ToF camera aids the optical cameras to more-precisely sense object boundaries so artificial background blur/aperture algorithms make less mistakes. I suspect that the ToF camera can also assist in focusing and object/scene sensing in dark conditions.
Folded telephoto optics
The P30 Pro’s extra-long 125mm (native optical 5x) equivalent telephoto lens camera would have required an unsightly lump in the phone’s otherwise slimline form. Telephoto lenses, by their very nature, have to be long. So Huawei and Leica went for a folded-optics arrangement.
Folded optic lenses in other more conventional digital cameras have also been around for a long time and for the same reason, to fit a powerful telephoto lens into a slim camera body.
This means the lens elements are stacked 90 degrees between the front and back of the device. A key benefit is that there is less of a compromise on the optical design forced on engineers trying to keep the optics as short as possible.
To enable the lens to see in the same direction as the other cameras, a 90 degree prism is used at the top of the lens stack, resembling a periscope. You can tell which is the tele lens because the prism is square rather than round on the camera array.
As far as I know this is a first for a contemporary smartphone. Apple did patent a folded optic layout for an iPhone optical zoom lens a couple of years back, though it hasn’t been demonstrated yet. The P30 Pro telephoto lens is a fixed-focal length lens, though seamless bybrid optical and digital zooming is possible in conjunction with the other cameras from 16mm (0.6x) to 125 mm (5x). A lower resolution 10x tele mode is also provide and there is even a 50x mode for emergency use.
The P30 Pro’s telephoto camera has a resolution of 8MP, is optically stabilised (OIS) and has a native optical equivalence to a 125mm lens, or 5x the main 27mm (1x) 40MP camera lens. 10x and 50x digital zoom options are available. The ultra-wide camera is equivalent to a 16mm lens (full frame), or 0.6x.
There is another tweak to the main camera, which now has a faster (brighter) aperture of f/1.6 compared to f/1.8 on the P20 Pro and Mate 20 Pro.
Comparing the P30 Pro with the P20 Pro and the Mate 20 Pro
Mate 20 Pro
1080 x 2240
1080 x 2240 (408ppi)
1440 x 3120 (538 ppi)
Curved edge display
40MP SuperSpectrum 27mm f/1.6 (1x)
40MP 1/1.7” 27mm f/1.8 (1x)
40MP 1/1.7” 27mm f/1.8 (1x)
20 MP 1/2.7” 16mm ultrawide f/2.2 (0.6x)
20MP 1/2.7” 27mm f/1.6 MONO (1x)
20 MP 1/2.7” 16mm ultrawide f/2.2 (0.6x)
8MP 135mm f/3.4 OIS (5x)
8MP 1/4” 80mm f/2.4 OIS (3x)
8MP 1/4” 80mm f/2.4 OIS (3x)
ToF camera sensor
Yes (back facing)
Front facing proximity
24MP 26mm f/2.0
24MP 26mm f/2.0
Face/selfie depth sensor
IR dot projector
HiSilicon Kirin 980
HiSilicon Kirin 970
HiSilicon Kirin 980
15W with reverse mode
15W with reverse mode
Front below display
The in-screen fingerprint sensor on the Mate 20 Pro was a cool entry on the features list and a headline-grabber, but in reality it was slower and less-reliable than the P20 Pro’s conventional scanner built into a button-like pad below the display.
The P30 Pro also has an in-screen fingerprint scanner but I am cautiously optimistic it has been significantly improved after trying it on a pre-production device. It’s also further down the display, which – personally – I feel is a more sensible position.
I certainly hope my initial impressions are confirmed because the P30 Pro doesn’t inherit the 3D face sensing IR dot projector of the Mate 20 Pro, which makes that phone fast and secure at face-unlocking, even in darkness.
The P30 Pro relies solely on the selfie-camera, which is less secure and not likely to work in low light.
The P30 Pro borrows all the power goodies from the Mate 20 Pro, including the huge 4200 mAh battery, 40W charger, wireless charging and reverse wireless charging so you can top-up other devices from your phone. With Huawei’s more efficient HiSilicon Kirin 980 chip-set, more processing grunt isn’t at the cost of huge battery drain.
Resolution remains at 1080 x 2240 for the AMOLED screen, which is marginally larger (6.47 inches) than the P20 Pro, so you don’t get the super-fine res display of the Mate 20 Pro, but it’s an impressive looking display, nonetheless.
It’s also a curved-edge display, which may polarise opinion. I like this because it makes Android Pie 9 gesture navigation from the sides of the display more comfortable. However, it will severely limit your choice of screen protector options.
The Infra red transmitter or IR Blaster has been retained, however, rumours that a headphone socket had made a return are only half-correct; the lower-spec P30 (not the Pro version) gets the headphone socket.
Huawei are constantly tempting us with mesmerising new colours and the P30 Pro has a suitably cool selection, including a pearlescent white, which is my favourite.
As a photographer, the radical new RYB sensor and the folded optics 125mm telephoto, with Leica genes, is very exciting indeed. I’ll post my feedback on using a production device as soon as possible; we’ll be provided with a production P30 Pro for testing after today’s launch event.
The loss of the P20 Pro’s mono camera will frustrate some. It’s a polarising issue, but my personal view is that I can convert colour to mono effectively in post-processing, with especially good results when shooting RAW. Therefore, the ultra-wide camera, first introduced with the Mate 20 Pro, is very much worth the change. But I do concede this view is not universal.
The fact that the P30 Pro gets much of what was, until now, exclusive to the Mate 20 Pro is also very welcome.
I’m also looking forward to finding out what the fourth ‘camera’ – the ToF camera/sensor contributes and if it makes noticeable improvements to the photographic capabilities of the P30 Pro.
There’s so much to report back on! Watch this space.
A Leica-built, Russian-designed Zenit M rangefinder clone with a 35mm f/1.0 lens
The Russian Zenit is making waves at Photokina this week. We’ve been to the Zenit booth to find out what all the fuss is about.
The Leica phenomenon
We’re in Cologne, Germany for Photokina 2018 and it’s a German company that keeps on making the headlines this week. That company is Leica. Next to the Leica booth is Huawei, whose premium smartphone models, like the innovative triple-camera P20 Pro, use Leica-branded optics.
Leica also revealed it has licensed the use of its mirrorless system L-mount to its long-time partner, Panasonic Lumix. Even Sigma’s CEO was a guest at Leica’s Photokina press conference. So who else might we find with Leica-related news?
Zenit? Who are they?
Zenit of course. Zenit? Who are they? Some readers will be familiar with the name. Back in the 60s and 70s Zenit, a Russian manufacturer, produced primitive and cheap SLR cameras and lenses popular with beginners. But Leica represents the exact opposite end of the camera spectrum.
Limited edition Zenit M and Zenitar 35mm f/1.0
So how could Zenit somehow join forces with Leica? Well, it’s happened. Zenit is showing a digital full frame M rangefinder clone. It’s a limited edition camera bundled with a remarkable 35mm f/1.0 Zenitar branded lens.
Designed in Russia, made in Germany?
Etched on the back of the Zenit M body is the message ‘Designed in Russia’ though I understand the body is actually produced at Leica’s Wetzlar facility in Germany. It certainly contains Leica components, Andrey Verfolomeev, vice president of the Zenit company, confirmed to me.
Designed and made in Russia
The Zenitar lens, however, is entirely the work of Zenit, both designed and manufactured at the company’s Krasnogorsky base near Moscow. Verfolomeev points out that much of their work is for the Russian military, so the optics of the Zenitar 35mm f/1.0 can be expected to be top-class.
Just 500 Zenit M and Zenitar 35mm f/1.0 combos will be produced, according to Verfolomeev, 450 of the bodies will be light grey (it’s a matt grey, not the customary silver) and only 50 will be black.
The price is €5,500 and most are reserved for the Russian market, though around a hundred will be available to European buyers.
If you’ve used the old cheap Zenit film cameras, you may recall the strong Russian leather odour that came as a no-cost extra. Apparently, the leather used on the Zenit M has been specially chosen to match the hide used back in the old days.
Verfolomeev says Leica and Zenit have been working on the Zenit M project for two years and it owes much to the enthusiasm of Dr.Andreas Kaufmann, chairman of the Leica Supervisory Board.
Fundamentally, the project is designed to remind everyone, in Verfolomeev’s words, “that we’re still here”. Zenit, which is owned by the Russian state holding company Shvabe, employs 3,500 people and apart from its military work, the facility is gearing up to produce more mainstream cameras and lenses.
A range of Zenit lenses compatible with a variety of camera mounts is already on the market and the 35mm f/1.0 design will eventually join the rest of the range.
While the Zenit M is a strictly limited-edition model, less expensive successor camera models are in the pipeline and these will sell at a lower price, if not at the bargain basement prices of notorious old Zenit Bs and Es. Watch this space!
Zeiss are developing their own full-frame compact system camera, the Zeiss ZX1.
Press release issued by Zeiss
The Camera Concept for the Creative Flow in Photography
First full-frame camera from ZEISS with first-class image quality and the familiar, intuitive image editing and connectivity of a smartphone.
ZEISS ZX1 – That is the name of the newly developed mirrorless full-frame camera from ZEISS that was presented today in Cologne, Germany. Thanks to the ZEISS lens and a sensor developed in-house at ZEISS, the camera delivers first-class image quality combined with an operational concept and user experience that make the photographer’s jobs-to-be-done as intuitive as on a smartphone.
The ZEISS camera concept is just the first step to opening up a new world of possibilities for ambitious photographers – from taking the shot to editing the image and sharing it on the web.
SHOOT. EDIT. SHARE. – Harmonized hardware, software and optics for a seamless creative process
SHOOT: the ZEISS ZX1 features a newly designed, integrated ZEISS Distagon 35 mm f/2 T* lens with autofocus that has been perfectly matched to the 37.4 megapixel full-frame sensor developed in-house at ZEISS. The interplay between the lens and sensor ensures first-class picture quality with that typical ZEISS look.
EDIT: The ZEISS ZX1 enables photographers to professionally process RAW images directly on the camera thanks to fully integrated Adobe Photoshop Lightroom CC. Moreover, the ZEISS ZX1’s unique user interface supports the user’s particular workflow without any interruption – providing direct access to the most frequently used functions via a 4.3″ multi-touch display.
SHARE: when the networked full-frame camera is connected, the user can upload selected images directly to the internet – without the intermediate transfer to memory cards or other external devices.
512 GB of internal memory provide sufficient space for approximately 6,800 RAW files (DNG) or over 50,000 JPGs – more than enough to handle photos, even during a longer trip, and giving the photographer the chance to let their creativity flow. Versatile connectivity options such as Wi-Fi, Bluetooth and USB-C ensure that various peripherals can be connected. Over-the-air software updates keep the camera up to date without requiring a computer connection.
Designed with a passion for detail and a focus on the essentialsThe design of the ZEISS ZX1 is characterized by its iconic shape with carefully crafted details. The overall form and reduction to just those elements that are absolutely necessary lay the foundation for an ergonomic camera and ensure easy handling. The symbiosis of hardware and software is exemplified by the newly defined user interface that utilizes the 4.3″ multi-touch display. The slightly bent screen separates the live view from the control elements, making camera operation comfortable and straightforward.
“We know that we exploring new ways and initially addressing a special target group with the ZEISS ZX1. With our concept we are focusing on ambitious, professional creatives who want to produce their photographic experiences quickly and efficiently, and inspire as many people on the Internet as possible. This requires a streamlined workflow in addition to high-end features. This is exactly what the concept of the ZEISS ZX1 offers,” explains Jörg Schmitz, Head of the Consumer Products business group at ZEISS.
ZEISS ZX1 available from early 2019
The ZEISS ZX1 will be available at selected dealers in early 2019. ZEISS will announce the recommended retail price at the start of the official market launch. Starting now, anyone interested in receiving information on exact availability can register at www.zeiss.com/zx1