Samyang unveils their first AF lens for Nikon cameras: AF 14mm F2.8 F [Master the art of Ultra Wide-Angle]
Samyang Optics announces a new, ultra wide-angle lens, the AF 14mm F2.8 F. It is the company’s first-ever autofocus lens for Nikon DSLR full-frame cameras. The AF 14mm F2.8 lens has been developed using Samyang Optics’ globally renowned optical technology.
116.6° Ultra Wide-Angle with beautiful bokeh…
Inside the lens, there are 15 elements in 10 groups, including 2 aspherical elements, 4 highrefractive (HR) elements and 1 extra-low dispersion (ED) glass element to minimise distortion and chromatic aberrations, for crystal clear resolution. This lens offers a powerful 116.6 degrees wide angle-of-view. It also features 7 rounded aperture blades, which help to create beautiful bokeh (out-of focus backgrounds) in portraits, still-lifes and night-time cityscapes.
Faster, accurate and quieter Auto Focus performance…
The AF 14mm F2.8 F autofocus function is upgraded with Samyang’s advanced technology. The lens offers faster, more accurate and quieter autofocus performance than previous AF 14mm F2.8 lenses.
Capture vivid images anytime, anywhere…
This compact ultra wide-angle lens weighs only 484g (without lens cap and hood). The lens also features weather-sealing and a built-in AF/MF switch for increased usability. With a minimum focus distance of just 20cm, it is possible to capture more vivid close-up images of portraits, pets, food etc., anytime, anywhere.
New Large Aperture Super-Telephoto Prime Lens is World’s lightest in its class, with outstanding AF performance, innovative optical design and exceptional image quality
Sony today announced the highly anticipated FE 400mm F2.8 GM OSS large aperture super-telephoto prime lens (model SEL400F28GM).
The product of extensive research and testing, Sony’s new FE 400mm F2.8 GM OSS lens is the first large aperture super-telephoto prime to join the E-mount line-up. This exciting new lens produces brilliant image quality, extraordinary focusing speed and precision while also boasting the lightest weight in its class[i] and an extremely balanced design. It’s the ideal choice for professional sports, wildlife and nature photographers, and a perfect complement for Sony’s extensive line-up of high-speed E-mount bodies including α9, α7R III and more.
World’s Lightest 400mm F2.8 Prime with Ideal Balance for Monopod or Handheld Shooting
Weighing in at only 2897g, the new FE 400mm F2.8 GM OSS lens provides a level of portability and handheld manoeuvrability that has never before been achieved in a lens of its class. The remarkably light weight of this lens is achieved through an innovative optical design that includes three fluorite elements, with a reduced number of elements deployed at the front of the barrel, as well as the liberal usage of durable magnesium alloy components.
Additionally, repeated field tests and evaluation by professional photographers across the world have led to a lens design that is not front-heavy, reducing moment of inertia that resists rotation by up to 50% as compared to the SAL500F40G.[ii] This ensures that quicker, more precise panning is available, whether shooting handheld or on a monopod.
Fast, Precise Autofocus
To best take advantage of the rapidly evolving shooting and focusing speeds of Sony’s latest cameras, the FE 400mm F2.8 GM OSS lens features two newly developed high-speed XD (extreme dynamic) Linear Motors that drive the lens’ focus group, achieving up to a 5x improvement[iii] in moving-subject tracking performance. These motors are supported by specially developed motion algorithms to minimise lag and instability and control noise levels, resulting in exceptionally quick, accurate and quiet autofocus performance. This allows the lens to capture dynamic, fast moving athletes or wildlife with ease.
G Master Image Quality and Bokeh
A member of the Sony’s flagship G Master Series lenses, the new large aperture super-telephoto prime lens features an incredible level of image quality and detail, with outstanding contrast and resolution maintained all the way to the corners of the image. The unique optical design includes three fluorite elements that help to minimise chromatic aberration and suppress any amount of colour bleeding. The lens has also been coated with Sony’s original Nano AR coating to suppress any unwanted reflections, glare, or ghosting.
In addition to the impressive resolution, the lens features an 11-blade circular aperture mechanism that allows it to produce extremely natural and beautiful background defocus or bokeh’. Each lens is also individually tested and adjusted at manufacturing stage to achieve maximum image quality and ‘bokeh’.
The new FE 400mm F2.8 GM OSS is compatible with Sony’s 1.4x and 2.0x E-mount tele-converters, producing outstanding imaging performance at extended focal lengths[iv] while maintaining fast, precise AF performance.
Durability, Reliability and Control
To withstand the harsh conditions of sporting events and wildlife photography, Sony’s new FE 400mm F2.8 GM OSS is built with a durable magnesium alloy and a strong, lightweight carbon fibre hood. The lens is also dust and moisture resistant[v], and its front element is coated with fluorine to resist dirt and fingerprints.
There is also an ample amount of hard controls on the lens, including a ‘Full-Time DMF’ switch to immediately engage manual focus at any point, customisable focus hold buttons in four different locations on the lens barrel – allowing easy access of an Eye AF for example, and a focus ring that features Linear Response MF for fine, responsive manual focus. The new lens also features built-in optical stabilisation for dynamic sports action and three different ‘Mode’ settings, including a brand new Mode 3[vi] setting with an advanced algorithm that ensures easier framing when following moving subjects. The new model includes a function ring with selectable ‘Preset’ and ‘Function[vii]’ settings, further adding to the customisability, a first for any Sony lens.
The FE 400mm F2.8 GM OSS includes a drop-in filter slot[viii] that accepts ø 40.5mm ND and other filter types, as well as the optional VF-DCPL1 Drop-in Circular Polarising Filter. The VF-DCPL1 filter can be rotated to achieve the desired polarisation while installed in the lens.
α9 System Software Update to Support FE 400mm F2.8 GM OSS[ix]
The latest system software update (Version 3.00) for α9 (ILCE-9) provides support for the new FE 400mm F2.8 GM OSS (SEL400F28GM) lens to optimise optical image stabilisation performance and enables continuous shooting with auto focus tracking even when aperture is greater than F11.
The update also provides added option to input camera serial number to the Exif data, a feature that has been strongly requested by professional sports photographers and photojournalists. Additionally, several other updates to the α9 camera have been implemented with the new firmware, including improved auto focus speed in low light conditions, enhanced continuous AF performance when tracking a moving subject, and reduced release time lag when shooting with flash.
Pricing and Availability
Built to order, the new FE 400mm F2.8 GM OSS will ship in Europe in September 2018,priced at approximately £10,500. The optional Drop-in Circular Polarising Filter (model VF-DCPL1) will ship in Europe in December 2018, priced at approximately £420.
A product feature video and testimonials by Nick Didlick and Bob Martin are now available at Sony Camera Channel on YouTube, and the new sample images are also posted at the global Sony Photo Gallery
[i] Compared to 400mm F2.8 lenses for 35mm full-frame format cameras, as of June 2018, Sony survey
[ii] When mounted on the α9 with VG-C3EM grip. Compared to the α99 II + SAL500F40G, Sony tests
[iii] When mounted on the α9. Compared to the SAL300F28G2 mounted on the α9 (via LA-EA3), Sony tests
[iv] Maximum aperture with the 1.4x (SEL14TC) and 2.0x (SEL20TC) tele-converters is F4 and F5.6, respectively
[v] Not guaranteed to be 100% dust and moisture proof
[vi] α9 software must be updated to the latest version to activate Optical SteadyShot MODE 3 when this lens is used with the α9. Refer to the Sony support site for camera body compatibility information
[vii] Functions can be assigned via a camera body menu. Power Focus is assigned by default. APS-C/Full Frame Select can be assigned by updating α9 software to the latest version. Refer to the Sony support site for up to-date function and camera body compatibility information
[viii] A normal filter is initially installed in the filter slot. The filter is part of the lens’s optical system, and either the normal filter or circular polarizing filter should always be in place when using the lens. Be sure that filter is installed before memorising the focus point for the preset focus function
The survey aims to capture a snapshot of the UK photography community and explore their colour management usage and knowledge.
Zurich, Switzerland – 30 May 2018 – Datacolor, a global leader in colour management solutions, has launched a survey to explore UK photographers’ usage and knowledge of colour management in their photographic workflow. The survey aims to capture a snapshot of the UK photography community in order to detail insights into how colour management is incorporated into their workflow and discover their opinions on the impact it has on the quality of their work.
Survey participants will be entered into a prize draw to win a Spyder5 upon completion of the survey.
Until June 6th, customers can save over £130 on Spyder products through qualified retail stores as well as Datacolor’s online shop. The promotion runs in conjunction with the FUJIFILM Fotoservice pro product, where customers can save 50% on a FUJIFILM Fotoservice pro product when they purchase a qualifying Spyder product.
21 September 2018 – 31 March 2019
New exhibition of black and white photography reveals the optimism and ingenuity of a post-war world
In the years following the First World War, countries, cities, societies and individuals had to regenerate and rebuild themselves on an unprecedented scale – but from devastation and loss, a new world emerged.
Exploring the theme of renewal in relation to individual, societal and global recovery, Renewal: Life after the First World War in Photographs (21 September 2018 – 31 March 2019) highlights the ways in which lives, landscapes and national identities recovered, evolved and even flourished in the aftermath of war. Examining the complex processes of reconstruction, this major exhibition at IWM London includes over 130 black and white photographs, documents and objects from the museum’s extensive collection.
The exhibition charts the initial optimism that followed the end of the First World War, as well as the realities of displacement, demobilisation, social change and the fall of empires. Many individuals found themselves in new nations as borders were re-drawn and empires disbanded, but while the devastating effects of war were felt on both sides, developments in materials and new technologies also led to innovations. Military equipment was repurposed for civilian use and advances in medicine and plastic surgery enabled the reconstruction of the human body.
From images of refugees returning to ruined homes, through the reconstruction of Ypres, to battlefields depicting the villages that ‘died for France’ and were never rebuilt, these rarely seen photographs from this little-explored time period reveal the extent of destruction and change in war-torn Europe and beyond.
Alan Wakefield, Head of First World War and Early 20th Century Conflict at IWM, said: “Drawing primarily on IWM’s rich and varied photography archive, this new exhibition presents images from both official and personal collections, giving insight into the innovation, opportunism and resourcefulness that shaped the rebuilding and regeneration of the post-war world. Both surprising and inspiring, the exhibition highlights the resilience and ingenuity of the human spirit in a time of unprecedented social and political change.”
Renewal: Life after the First World War in Photographs is part of Making a New World, a season of innovative exhibitions, installations and immersive experiences taking place across IWM London and IWM North between 27 July 2018 and 31 March 2019. The free season will explore themes of remembrance and how the First World War has shaped the society we live in today.